ASPECKS

Ye Fre Mi Richy Pitch

June 11th, 2010

Ye Fre Mi Richy Pitch is the name of the album that showcases the latest creative endeavours from our friend, DJ, producer and author Richy Pitch. Reflecting two years spent in Ghana, Richy has collaborated with many local musicians, adding his own unique vibe to distinctly West African instrumentation. Check out exclusive footage of songs from the album being performed live, as well as an intimate discussion with Richy, who is accompanied by the international artist M.anifest. Together they discuss their musical collaborations including the album and the making of the song and video for the original track “Blackstar”.

Check out the Blackstar video and live performances from the Ye Fre Mi Richy Pitchy album after the jump…
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Music Break: Gang Starr – Code of the streets

April 21st, 2010

R.I.P. Guru of Gangstarr.

Check the social commentary in the rhymes. A true poet. He will be missed.

Music Break: M3nsa – Adjuma

December 4th, 2009

Check out this fresh tune from Aspecks friend M3nsa. This is the first music video off his No.1 Mango Street Album, due out in 2010!! ADJUMA captures the very essence of what the hustle is for the average Ghanaian. It literally means work and Aspecks is very much looking forward to checking out the rest of Mensa’s work when No.1 Mango Street drops in the new year! Enjoy…..

Aspects of Japan: Through the eyes of others

November 16th, 2009

From Deutsche Welle TV

In Japan the term Visual Kei encompasses optically striking musicians, whose music has been shaped and inspired by a whole array of genres from past and present. The phrase consists of the English word “visual” and the Japanese word “Kei”, — meaning clique, origin, system or style, and describes a medley of punk, glam, rock and manga.

20 years after first appearing in Japan, bands are now also rocking German stages, and young European girls are dressing up in gothic Lolita-costumes and dancing to the beats of Japanese metal-rock. We went to an “X-Japan” concert, the biggest “Visual Kei” gig of the last decades and will explore how German youths are catching on to the special craze and making their own bands, one of which is “Cinema Bizzare”.

The second video after the jump chronicles a visit to Japan by rapper Mos Def on a promotional tour for his latest album The Ecstatic.

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Imitating life?

November 9th, 2009

Art imitates life“, we all know the discourse surrounding that phrase.  It is particularly relevant when considering the ban of Dancehall (ragga) music from the airwaves in Jamaica due to profanity and violent lyrics.  The question of whether music, movies and video games (entertainment in general) are a reflection of as opposed to the root cause of moral decay will always abound. There has been a long history of banning ’subversive’ and ‘morally questionable’ entertainment that goes back past Elvis Presley’s gyrating hips. Artists mostly defend themselves by referring to their freedom of expression while others argue that they are merely reflecting the harsh realities of life. The fact that art forms like Dancehall and Hip Hop and Rock and Roll in it’s day break class, generational and other social boundaries to reach new audiences is cause for the alarm of would-be censors.  The truth however is somewhere in the middle, some artists recognise their potential to influence their audience and see themselves as having a social responsibility while others do not. The questions is rather about the appetites of the audiences for truth and authenticity.  Would 50 cent and others be as popular and financially successful if they had different life experiences prior to rap or had chosen not to rap about them?


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A Hip Hop-Punk-Rock-Electronic-Cultural-Historical Excursion with Afrika Bambaataa

September 3rd, 2009

Nardwuar the Human Serviette (who is a very eccentric but thorough and prolific interviewer) conducted this interview with Afrika Bambaataa (aka the “Grandfather” and “Godfather” and The Amen Ra of Universal Hip Hop Culture as well as The Father of The Electro Funk Sound). Who is widely credited as being one of the Deejays that created the vinyl record looping technique that birthed Hip Hop songs. In this interview Afrika Bambaataa details the evolution of Hip Hop music and culture from diverse influences as he sees it. The interview also reveals the relationship between Hip Hop and the Punk Rock sub-cultures.

The first point of call is the vinyl album Bongo Rock by the Incredible Bongo Band which, has been sampled extensively in Hip Hop since, but was first used by Afrika Bambaataa, Grand Master Flash and DJ Kool Herc at the early Hip Hop parties.

The next recording artist mentioned was King Tim III who is credited by some with releasing the first rap recording on 12” vinyl with the Fat Back Band in 1979.
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UK B-Boys vying for supremacy

July 31st, 2009

A little insight from Wiki: A B-boy or B-girl is a person devoted to hip hop culture, more specifically, bboying/break-dancingCrazy Legs of Rock Steady Crew explains the origin of the term – “the word b-boy originated from Kool Herc … b-boys and b-girls – break boys, break girls”.

Check out footage from the UK B-boy Championships in June where Aspecks was in attendance:

Round 1

Round 2

Round 3

The UK B-Boy Championships – World Finals are to be held on Oct 11th and 12th in London and will be hosted by Crazy Legs himself. Tickets available here.

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